FOLKLORE IN CONCERT AND SCENIC PRACTICE OF BELARUS
The author of article considered specifics of use of folklore in concert and scenic practice of Belarus. She revealed a range of approaches to a scenic embodiment of folklore which varies from the minimum scenic adaptation of the traditional primary source before its cardinal transformation. This art phenomenon is defined by the author as a performing folklorizm which represents the independent direction of art creativity within which the scenic embodiment of folklore is carried out by performing means of theatrical, choreographic and musical art. The specifics of a performing folklorizm in Belarus at different stages of this development was considered in this article. The origin of a performing folklorizm as art phenomenon in Belarus belongs to the end of the XIX century. The performing creativity focused on folklore evolved actively in blighty scenic practice for more than hundred years. The history of performing folklorizm in Belarus have been developing in the context of all cultural history of Belarus but it has some specifics. The author allocated and considered some characteristics of five periods of its development: origin (the 1890s – 1917); registration as independent scenic phenomenon (1917 – mid 1950s); setting style of “the academic nationality” (mid 1950s – the 1960s); stylistic updating (1970 – the 1980s); statement of a stylistic variety with preservation of steady positive dynamic of development (since the 1990s to the present time).
Keywords: implementation on folklorism, concert and scenic practice, stage realization of folklore
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Issue: 3, 2015
Series of issue: Issue 3
Rubric: ANTHROPOLOGY
Pages: 171 — 179
Downloads: 1119