VISUALIZATION OF ETHNICITY IN SOVIET CINEMA: «COUNTRY OF GOLDS» BY AMO BEK-NAZAROV (1930)
DOI: 10.23951/2307-6119-2020-1-114-125
Based on the material of the ethnographic documentary «Country of Golds» by the classic of Soviet cinema, Amo Bek-Nazarov, the article considers the direction of artistic documentary as an example of visual and anthropological experiments in the USSR at the turn of the 1920–1930s. Analyzing archival data, director’s diaries, and contemporary testimonies, the author traces the evolution of the mentioned film project in connection with parallel processes in politics and cinema. In the period under study, Soviet filmmakers tested various visualization formats of ethnicity, constructing the Soviet myth of the peoples of the new Union freed by the revolution, which the party leadership needed. Based on an illustrative example of the work of director Amo Bek-Nazarov, the article traces the use of the capabilities of ethnographic cinema as a resource for creating effective on-screen images for traditional use: traditional life (the image of the «dark past») and innovations of socialism (the image of the «bright future»). As soon as the film «Country of Golds» is a kind of film text, consisting of approximately the same number of film frames and text captions alternating in the narrative, the method of analysis of the film was its research decoding – «translation» into text format. The article analyzes the potential of the cinema as a form of visual anthropology, and the film as a multicomponent historical source that displays the culture of the film being shot and shot, reflecting the silhouettes of culture and ideology of its time. Conclusions are drawn about the film «Country of Golds» as a multi-layered historical cinema source, and about the director’s creative methodology for combining documentary and artistic techniques in the process of ethno-cinematic work, as relevant for study and use in modern visual anthropological practice.
Keywords: visual anthropology, anthropological cinema, Amo Bek-Nazarov, national politics, USSR
References:
Avanesov S. S. Vizual'naya antropologiya kak issledovatel'skaya distsiplina [Visual anthropology as a research discipline] // Tomskiy zhurnal lingvisticheskikh i antropologicheskikh issledovaniy [Tomsk Journal of Linguistic and Anthropological Studies]. – 2013. – № 1. – P. 68–74. (In Russian).
Alexandrov E. V. Predystoriya vizual'noy antropologii: pervaya polovina XX v. [Background to visual anthropology: first half of the twentieth century] // Etnograficheskoye obozreniye [Ethnographic Review]. – 2014. – № 4. – P. 127–140. (in Russian).
Bek-Nazarov A. I. Zapiski aktera i kinorezhissera [Notes of the actor and film director]. – Moscow, Iskusstvo Publ, 1965. – 272 p. (in Russian).
Veltman S. L. A. Bek-Nazarov. – Moscow, Iskusstvo Publ., 1937. – 104 p. (in Russian).
Golovnev A. V. Antropologiya plyus kino [Anthropology plus cinema] // Kul'tura i iskusstvo [Culture and art]. – 2011. – № 1. – P. 83–91. (in Russian).
Golovnev I. A. Fenomen sovetskogo etnograficheskogo kino (tvorchestvo A.A. Litvinova) [The phenomenon of Soviet ethnographic cinema (A. A. Litvinov’s work)]. – Moscow, IEA RAN Publ., 2018. – 226 p. (in Russian).
Krasovitskaya T. Yu. Konflikt idealov i praktik ranney sovetskoy gosudarstvennosti. Mekhanizmy i praktiki etnopoliticheskikh protsessov (1917 – 1929) [Conflict of ideals and practices of early Soviet statehood. Mechanisms and practices of ethno-political processes (1917–1929)] // Etnicheskiy i religioznyy faktory v formirovanii i evolyutsii rossiyskogo gosudarstva [Ethnic and religious factors in the formation and evolution of the Russian state]. – Moscow, New chronograph Publ., 2012. – P. 151–206. (in Russian).
Lopatin I. A. Gol'dy amurskiye, ussuriyskiye i sungariyskiye [Amur, Ussuri and Sungarian Golds]. – Vladivostok, Printing house of the Department of the Interior Publ., 1922. – 370 p. (in Russian).
Magidov V. M. Kinodokumenty po vizual'noy antropologii Rossii [Cinema-documents on visual anthropology of Russia] / Material'naya baza sfery kul'tury [Material base of the sphere of culture]. – Vol. 2. – Moscow, RGB Publ., 1998. – 100 p. (in Russian).
Ot klassikov k marksizmu: soveshchaniye etnografov Moskvy i Leningrada (5–11 aprelya 1929) [From classics to Marxism: meeting of ethnographers of Moscow and Leningrad (April 5–11, 1929)] / Ed. by D. V. Arzyutov, S. S. Alymov, D. J. Anderson. S-Petersburg, MAE RAN Publ., 2014. – 511 p. (in Russian).
Razlogov K. E. Kino-Etnografiya-Antropologiya [Cinema-Ethnography-Anthropology] // Filosofskiye nauki [Philosophical Sciences]. – 2010. – № 7. – P. 80–90. (in Russian).
Stalin I. V. Marksizm i natsional'no-kolonial'nyy vopros [Marxism and the National Colonial Question]. – Moscow, Partizdat Publ., 1934. – 232 p. (in Russian).
Terskoy A. N. Etnograficheskaya fil'ma [Ethnographic Film]. – Moscow, Teakinopechat' Publ., 1930. – 187 p. (in Russian).
Trushkina E. Yu. Vizual'naya antropologiya v Rossii: kak vse nachinalos'? [Visual anthropology in Russia: how did it all begin?] / Audiovizual'naya antropologiya. Kul'turnoye naslediye [Audiovisual Anthropology. Cultural heritage]. Moscow, Institut Naslediya Publ., 2012. – C. 7–16. (in Russian)
Shimkevich P. P. Materialy dlya izucheniya shamanstva u gol'dov [Materials for the study of Gold's shamanism] / Zapiski Priamurskogo otdela IRGO [Notes of the Amur department of the IRGO]. – Vol. 1, – iss. 2. Khabarovsk, Printing Office of the Office of the Amur Governor-General Publ., 1896. – 136 p. (in Russian)
Issue: 1, 2020
Series of issue: Issue 1
Rubric: ANTHROPOLOGY
Pages: 114 — 125
Downloads: 1070